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FROM WRITING SCARY STORIES TO GETTING THEM PUBLISHED

7/27/2015

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This workshop has it all! Check out the lesson plan below.

If you like writing scary stories, prefer a twist of the macabre, or want to find out how to create and publish horror, come along to the following Gondor Writers’ Centre for an intense, two day workshop.


Writing Scary Stories

Crank up the tension and suspense in your horror writing. Whether you write fun, spooky tales for kids, gothic ghost stories for teens, or gory horror for adults, there are essential elements to every good scary story.

Learn how to plan, plot and create suitably spooky settings, creepy characters and suspenseful situations for a story to rival Lovecraft. You’ll also find out where the best markets are for publishing your scary stories. Everything you need for writing scary stories in one weekend.

 
Dates: AUGUST 8th & 9th
Do two days or just one


To celebrate the new writing centre, this weekend workshop is available at a VERY SPECIAL PRICE!

Usually $160:

JUST $100!
Or $50 for one day


To Book: Call Gondor Writers’ Centre on 07 54 981 332

Or get more information at: www.gondorwriterscentre.com/workshops.html

Gondor Writers’ Centre is located in the lovely hinterland between Brisbane and the Sunshine Coast at Kilcoy. Just over an hour’s drive from Brisbane and you’ll be writing in a spectacularly serene setting — perfect for a writers’ group getaway! Why not make it a special treat and book the weekend package. Elaine and Ron, Gondor’s hosts, will take care of all your accommodation booking needs.

The classes will be small and intimate, and you’ll get a lot of direct help from Charmaine when planning and crafting your story.

Here’s what we cover in Writing Spooky Stories:

Saturday:

  • Introductions — What fiction do you write or read? Get to know you classmates
  • What is horror? — The genre and its subgenres
  • Time management — Your writing time — Activity
  • Planning — Where to start. Covers character, setting, conflict, ideas, and identifying readers.
  • Plotting — Activity
  • Story inclusions — Elements of horror
  • Story Structure — Polishing that outline — Activity
  • Opening Hooks — Activity
  • Drafting your story — Activity
Sunday:

  • Your writing — Sharing your outlines or stories for feedback
  • Redrafting — Checking your structure at scene level — Activity
  • Editing — Tips for tightening your story — Activity
  • Elevator Pitch — Promoting your story — Activity
  • Markets — Publishing your stories
  • Support — How to find beta readers, critiques or writing buddies
  • Business of Writing — Activity
  • Q&A
 
I hope to see you there.

Cheers
Charmaine


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WHO IS YOUR FAVOURITE CHARACTER?

7/19/2015

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Characters are one of the most important elements in a good story. Think about the last book you read that stayed in your mind for days. What did you remember the most? Was it the setting, the story, or the main characters? For me it is always the characters. And they are just as important in a short story or poem as are in a novel. If your characters are not real and memorable, your story will fall flat.
 
Many writers make the mistake of having characters who are too similar to each other and not well enough developed. Humans are not the same; we are multidimensional beings. 

Developing your characters so well that you know them as well as you know yourself is vital. Not only does it make it easy to write, but it also makes it much more interesting for your reader. A well-developed character jumps off the page and into the heart and/or mind of your reader, and makes them want to stay with the story until the end.

What do you need to make this happen? There are so many important things to learn. In the two day intensive character workshop, we teach you how to make your characters unique and memorable. This workshop examines the many personality types we meet and shows you how to portray them effectively. For crime and mystery writers, the character workshop includes an examination of criminal types and what drives them to commit crimes.


Workshop: Creating Memorable Characters.
Tutor: Elaine Ouston
Sat, July 25th and 26th, 10am to 4pm. 

 2 day intensive workshop. Course cost: $100

Accommodation:
  As our accommodation is not yet ready, accommodation is available at the nearby Kilcoy Motel for those who wish to stay over. You can have a look at their rooms on their website
http://kilcoymotel.com.au.
Optional extras: For two day workshops, we would love our attendees to stay around for a social gathering after the Saturday workshop, so we have decided to offer a Barbeque dinner on the Saturday night. A light lunch will also be available both days.

Full weekend package: Includes 2 day workshops, lunch two days, evening meal at Gondor Saturday night and accommodation at the Kilcoy Motel:

Elaine’s two day workshop package price: $240 with share accommodation in 3 bedroom cabin. $260 if single motel room accommodation. Get your friends together for a weekend away and save money. 10% discount is offered for groups of 3 or more.
 
Competition: Book your place and send through the first 20 pages of  your manuscript by Wednesday  22nd July to
elaine@gondorwriterscentre.com

Book now: Phone 07 54 981 332  or go to the bookings page to book http://www.gondorwriterscentre.com/workshop-bookings.html
 


CAN'T MAKE IT ON THE DAY? Now you have 2 alternatives. Skype in or go to an online video conference page and join in a live workshop.

Our first Skype session went off without a hitch. The attendee was happy with her experience and the knowledge she obtained. The only thing she said was that she was a little lonely and wished she could have been here to share the experience with others. We have a solution. Gather a couple of writing friends at your place and Skype in or video conference together. Each person would have to pay for their place, but if there are 3 or more the discount would apply.

Please indicate when you book that you want to be linked by Skype or video conference. For Skype, send us your Skype profile. For video conference we will send you the link after you book. Limited numbers, so book early. You will be sent the worksheets and notes so you can participate along with the attending students.

You can still enter our competition. For Skype participants, your 15 minute evaluation will be on Skype, and for Video Conference participants, your consultation can be by Skype or phone.


Book now: Phone 07 54 981 332  or go to the bookings page to book http://www.gondorwriterscentre.com/workshop-bookings.html

AUGUST WORKSHOPS:

AUGUST 8th & 9th:
Charmaine Clancy, popular  children’s author, is also an  indie publisher, workshop presenter and co-coordinator of   the yearly Rainforest Writing Retreat. With a focus on improving literacy in young people, Charmaine’s books are aimed at reluctant readers and have proven extremely popular, receiving 5 star reviews and experiencing strong sales. She posts advice and news for writers at
www.charmaineclancy.com

Charmaine's workshop: Writing Scary Stories.
Crank up the tension and suspense in your horror writing. Whether you write fun spooky tales for kids, gothic ghost stories, or gory horror, there are essential elements to every good scary story.
Learn how to plan, plot and create suitably spooky settings, creepy characters and suspenseful situations for a story to rival Lovecraft. You'll also find out where the best markets are for your scary stories.
Workshop cost; $160.

Full weekend package: $300 with share accommodation in 3 bedroom cabin. $320 if single motel room accommodation.


  August 15th: Tutor Ron Day
  Business writing:

  * Newsletters - Reports
  * Work rules – processes and   procedures
* Job descriptions
* Job applications
* Cvs
Those working in a business and those who would like to secure a position, need to be able to write in a positive manner that others, employers or customers, will understand and relate to. This workshop will help you develop the skills to become a polished communicator.


Course cost: $50

August 29th & 30th:
Tutor Elaine Ouston
Strengthening your writing:


The use of word pictures, metaphors and similes, show not tell, and the ability to create rising tension are all important tools. How to use these tools to create your masterpiece is covered in this workshop.
Two day intensive.


Competition: Send through the first 20 pages of your manuscript (any genre) by August 20th.

Course cost: $100

Book now: Phone 07 54 981 332  or go to the bookings page to book http://www.gondorwriterscentre.com/workshop-bookings.html

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YOU CAN WRITE A PICTURE BOOK

7/12/2015

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Picture
Picture
Picture Books: Making It Count. By Aleesah Darlison

There’s something magical about picture books.

Many of us harbour the dream of becoming a picture book author.

Teachers, librarians, mums and dads, grandparents. Anyone who has ever loved books, anyone who has ever had children and clocked up hours of bedtime readings. Anyone who has ever dreamed or imagined that they were creative. I’d wager just about everyone out there has thought at some stage or other that they could write a picture book, or thought, ‘I couldn’t do any worse than what’s already gone before, right? How hard could it be? It’s only a few hundred words.’


There surely is a picture book in us all.

Whether you’re seeking commercial publication, or whether you want to self-publish, or whether you simply want to write for the pleasure of it, or to share with close friends and family, we all have the right to write.

Whenever I run a picture book course or speak to beginner writers, one of the first questions I’m asked is ‘Do I need to find an illustrator for my book?’.

This is a common misconception people have when they’re starting out. The answer is ‘No’.

Unless you’re thinking of self-publishing, the task of finding an illustrator is undertaken by the publisher.

Publishers work with several, if not many, illustrators. They may even have a ‘stable’ of illustrators who they regularly employ on projects, whether they are picture books, chapter books or book covers.

Authors may not even know the illustrator who is commissioned to work on their picture book. I’ve worked on a book where the illustrations were done by two manga artists living in Japan. Other books I’ve worked on have involved illustrators who live in different states.

Different types of relationships will evolve on different projects. This is all normal.

What the publisher wants to see from an author is fresh, clever, original words. And usually words alone. Your words have to stand out. They have to SING.

Another question I’m often asked is, ‘Does an author need to include illustration instructions within their manuscript?’.

There are two schools of thought on this matter. Some authors and industry experts believe it’s crucial to include illustration instructions. Others believe minimal or no instructions are better and that the text should be able to stand on its own. I think somewhere in the middle ground is best. You don’t need to include copious amounts of illustration instructions about your characters or setting or plot. Editors and illustrators don’t need to know that your main character is wearing a red dress or red shoes, for example, unless it’s critical to the story.

But they may need to know that your main character is, for example, confined to a wheelchair, or a panda bear not a human. When I submit a picture book text to a publisher, I only include the most minimal, most important illustration instructions to provide visual clues. And when I do, the instruction is bracketed and in italics. For example: (Max lives in the city. PK is his dog.).

The best advice I can give to picture book authors is to make sure your manuscript is well and truly road-tested before you submit it. You usually only get one shot at a publisher with any given story. So make that shot count.

Aleesah Darlison is a multi-published, award-winning children’s author. She writes picture books and novels for children and young adults, both in the contemporary fiction and fantasy genres. Aleesah’s picture books include Spider Iggy, Our Class Tiger (2015 Environmental Society Award for Children’s Literature Shortlist), Little Meerkat, Bearly There, Puggle’s Problem and Warambi (2012 CBCA Notable Book Eve Pownall Award: Non-Fiction; 2012 Wilderness Society Award for Children’s Literature Shortlist). She has also written several novels and series for children including Ash Rover, I Dare You, Little Good Wolf, the Totally Twins series and the Unicorn Riders series.

Aleesah will have loads more information about picture books to share in her upcoming Introduction to Making Picture Books workshop at the Gondor Writers Centre on Saturday 18 July. Aleesah’s workshops are always extremely informative and inspirational. Book now to avoid disappointment.

URL: www.aleesahdarlison.com  *  Facebook: www.facebook.com/AleesahDarlisonFanPage

Bookings and information at: http://www.gondorwriterscentre.com/workshops.html
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